A metal sort from the times of manual typesetting It is surrounded by blank or empty portions of the letterform, the so-called counters. In manual typesetting, the body height is defined by the height of the lead type or metal sort on which the actual font face, the printing surface of the type, is moulded. Strictly speaking, the term is misleading since we don’t define the size of the font when setting the point value in InDesign, Word or other applications, but rather we specify the body height. So if you enter a 10 pt font size in Microsoft Word or Adobe InDesign, you define that your font will have a size of 3.53 mm. At 0.375 mm, it was slightly bigger than today’s PostScript or DTP point which measures 0.353 mm . Different units of measurement were around over the years and centuries: The Didot point, a modified version based on the Fournier point, was the standard in the world of typography for a long time. So when talking about font size, it’s not metres and millimetres we use but the smallest typographic unit, the point, established in the early days of printing which has survived to date. When working with font, we don’t use the metric measurement system but typographic units. And this is quite understandable given the lack of concise and understandable guidelines on this subject. Many people are unsure when it comes to font sizes. For example, some universities still prescribe which typeface (Times New Roman) and point size (12 pt) to use for a dissertation which does not necessarily contribute to the legibility of a thesis. The web abounds with font size guidelines for students and other target audiences. But what exactly is the font size? Where is it measured and why are the letters of a Times typeface bigger than those of an English cursive font even though you have entered the same point value? The font size is decisive for both legibility and text impact.
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